Laure Prouvost, Ideally this sign would be so generous it would forget it is a sign, 2011, photo: Ben Van den Berghe/Glenn Geerinck.

John Latham, Table with the Law, 1988, photo: Ben Van den Berghe/Glenn Geerinck.
Museum of Speech, installation view, Extra City 2011, photo: Ben Van den Berghe/Glenn Geerinck.
John Latham, God is Great #4, 2005, photo: Ben Van den Berghe/Glenn Geerinck.
Museum of Speech, installation view, Extra City 2011, photo: Ben Van den Berghe/Glenn Geerinck.
Mladen Stilinovic, works from the series Money (1978-1983), Insulting Anarchy (1998-2010) and Pain (1977-2000), photo: Ben Van den Berghe/Glenn Geerinck.
Mladen Stilinovic, works from the series Slogans, 1976-1979, photo: Ben Van den Berghe/Glenn Geerinck.
Jonathan Lahey Dronsfield, A Picture of French Literature, 2011, photo: Ben Van den Berghe/Glenn Geerinck.
Jonathan Lahey Dronsfield, A Picture of French Literature, 2011, photo: Ben Van den Berghe/Glenn Geerinck.
Laure Prouvost, Ideally this sign would be so generous it would forget it is a sign, 2011, photo: Ben Van den Berghe/Glenn Geerinck.
Nina Beier, Shelving for Unlocked Matter and Open Problem, 2010, photo: Ben Van den Berghe/Glenn Geerinck.
Laure Prouvost, It, Heat, Hit, 2010
Laure Prouvost, It, Heat, Hit, 2010
Image from the archive of John Latham's placement with the Scottisch Office in 1975-1976
Museum of Speech, performance by Jonathan Lahey Dronsfield, Extra City 2011
Museum of Speech, performance by Jonathan Lahey Dronsfield, Extra City 2011
Nina Beier, Shelving for Unlocked Matter and Open Problems, 2010, photo: Ben Van den Berghe/Glenn Geerinck.
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